Edward FitzGerald’s „Rubáiyát of Omar Khayyám“ and Related Materials

Edward FitzGerald’s „Rubáiyát of Omar Khayyám“ and Related Materials. The John Roger Paas Collection. Edited by John Roger Paas. Wiesbaden, Harrassowitz Verlag, 2023. 1184 pages, 3 parts. Part 1+2: Text, XXII, 872 pages; Part 3: Plates, 312 pages. ISBN 9783447120906

Contents
Foreword IX
Introduction XIII
Explanatory Notes XVII
Abbreviations & Symbols XIX
PART I: Versions of the Rubáiyát
I FitzGerald’s Versions (nos. 1-4348) 3
II Manuscripts and Illuminated Leaves (nos. 4349-4367) 562
III The Rubáiyát in Anthologies (nos. 4368-4460) 565
IV Recordings of the Rubáiyát (nos. 4461-4544) 570
V English Translations other than by FitzGerald (nos. 4545-4708) 578
VI Multilingual Editions (nos. 4709-4796) 605
VII Translations in Languages other than English (nos. 4797-4918) 626
PART II: References to the Rubáiyát
I Novels and Biographical Narratives about Omar and/or the Rubáiyát (nos. 4219-4936) 649
II Books and Articles about the Rubáiyát (nos. 4937-5036) 652
III Works and Verses about FitzGerald and/or Omar Khayyám (nos. 5037-5123) 661
IV Bibliographies of the Rubáiyát and Works about Artists, Editors, etc. (nos. 5124-5251) 670
V Publishers’ Catalogs Prospectuses, and Advertisements (nos. 5252-5307) 679
VI The Word “Rubáiyát” in Titles (nos. 5308-5366) 684
VII Titles Inspired by Verses in the Rubáiyát (nos. 5367-5395) 688
VIII Works with References to the Rubáiyát or Omar Khayyám (nos. 5396-5415) 691
IX Quatrains in the Rubáiyát quoted (nos. 5416-5452) 693
X Verse Founded on, or in the Meter of, the Rubáiyát (nos. 5453-5581) 696
XI Calendars (nos. 5582-5633) 710
PART III: The Rubáiyát in Popular Culture
I Stage, Screen, and Radio (nos. 5634-5715) 721
II Musical Scores and Sheet Music (nos. 5716-5782) 734
III Parodies and Spin-offs in Books and Magazines (nos. 5783-5985) 740
IV Omar Khayyám Clubs (nos. 5986-6043) 761
V Advertisements (nos. 6044-6272) 766
VI The Names/Words “Omar” and “Rubáiyát” used non-commercially (nos. 6273-6325) 778
VII Greeting Cards, Postcards, and Stamps (nos. 6326-6383) 782
VIII Artwork (nos. 6384-6546) 787
IX Realia (nos. 6547-6757) 798
X Related Materials (nos. 6758-6826) 811
Part IV: Related FitzGerald Items
Letters and other Works (nos. 6827-6861) 819
Indexes
Artists 825
Editors, Compilers, Commentators, and Contributors 829
Authors of related Works, Bibliographers, and Composers/Songwriters 833
Translators 837
Printers 839
Fine Binders 842
Early Association Copies 843
Concordance (Potter / Paas) 844

The imagined elites of the Omar Khayyám Club

The imagined elites of the Omar Khayyám Club. Michelle Kaiserlian.
In: FitzGerald’s Rubáiyát of Omar Khayyám. Popularity and neglect. Ed. by A. Poole et al. London, Anthem Press, 2011. pp. 147-174.

This study begins with a brief description of the role of elite men’s clubs in late- and post-Victorian society. In the first section, ‘Claiming the Rubáiyát’, Kaiserlian shows how members of the London Club distinguished themselves from outsiders through their exclusive knowledge and appreciation of the poem. ‘FitzGerald’s Rubáiyát & The Pilgrimage of the Rose’ analyses one of the Club’s early ceremonies, revealing imperialist metaphors at work in their worship of the Persian poem and its English translator. ‘Ordering Omar’s World’ investigates Clubbists’ regard for Khayyám as bastion of ‘the good life’ and their use of the poem’s Eastern context as a springboard for exotic indulgences. In the final section, ‘Containing the Rubáiyát’, she demonstrates how Clubbists’ privileged activities as collectors and publishers and their extraordinary objects both reflected their desire to contain the poem’s influence and maintain its status for themselves.

Omariana. A descriptive catalogue of the collection owned by Leone Fulmer Nash and Paul Tausig with contributions from other sources, including illustrated editions, academic editions, press copies, secondary literature, parodies and so on

Omariana. A descriptive catalogue of the collection owned by Leone Fulmer Nash and Paul Tausig with contributions from other sources, including illustrated editions, academic editions, press copies, secondary literature, parodies and so on. Marc-Edouard, Enay, Kent Nielsen. [Hamburg, Orient-Antiquariat, ca. 1990]