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ʻOmar Khayyām miscellanea

ʻOmar Khayyām miscellanea. B. Csillik.
Acta Orientalia Academiae Scientiarum Hungaricae 11 (1960), nr. 1-3, p. 57-68.

It was in 1859 that Edward FitzGerald published at his own cost a small booklet of translations which since has, with the passing of many years, earned world fame for the name of ‘Omar Khayyäm — known until then in Europe only as an astronomer, geometrician and mathematician — and also for the name of the translater. It is to this centenary occasion that I wish to contribute the following minor notes and observations.

The real Omar Khayyam

The real Omar Khayyam. B. Csillik.
Acta Orientalia Academiae Scientiarum Hungaricae 10 (1960), p. 58-77.

Review of Arberry's edition of 1949.
This edition, as the Author-Editor himself tells us in his Introduction, had to fulfill the purpose of quickly presenting to the public, with a minimum of critical apparatus, the newly discovered facts in order to give share to others in the exciting work of further research. Beside the Introduction the book contains nothing but the printed text of the MS with the critical apparatus, the English versions and an alphabetical list of the quatrains. The Editor restored the dotted däl’s wherever the copyist omitted them by obvious inadvertency and — what the copyist did not even try to do — he distinguished the pä and gäf letters from the bä and käf letters. This peculiar employment of the däl, bä and käf letters speaks for the antiquity of the MS. The dots supplied by the Editor are not indicated, and this may be regretted in view of the potential hints which the presence or absence of the dots of the däl’s might have given to the student of phonology and linguistic history.

The Fame of Omar Khayyam

The Fame of Omar Khayyam. Abd al-Haqq Fádil.
The Muslim World, 50 (1960) 4, pp. 259-268

Omar Khayyam’s popularity has two phases. In his life he was tremendously famous for his copious learning; after his death he became celebrated for his brilliant Rubáiyyát. In both he was unique and matchless. But he did not enjoy his fame completely either in life or in death. It is time now for us to grant him his due in full as a man of learning and as a poet.

Theme of Wine-drinking and the Concept of the Beloved in Early Persian Poetry

Theme of Wine-drinking and the Concept of the Beloved in Early Persian Poetry. E. Yarshater.
Studia Islamica 13, (1960), p. 43-53.

Glorification of wine and drinking scenes is, in fact, one of the major themes of early Persian poetry. Descriptions are direct, vivid, and refreshingly varied. Generally, the poet speaks with knowledge and authority on the subject, and his delightfully appealing delineation reveals that sensuous quality so characteristic of Persian art. Many valuable details bearing on the drinking institution at courts, not recorded elsewhere, can be gathered from the poetry of the tenth and eleventh centuries.