Omar Khayyam, la Poésie Persane et Max Rouquette: Max Rouquette, traducteur, Occitan d’Omar Khayyam: Choix de Roubaïates de Omar Khayyam Traduits en Occitan par Max Rouquette. Roland Pécout.
Les Cahiers Max Rouquette, 2012, 6, pp. 19-39.
Archives
Other Persian quatrains in Holland: the Roseraie du savoir of Husayn-i Ázád
Other Persian quatrains in Holland: the Roseraie du savoir of Husayn-i Ázád. J.T.P. de Bruijn.
In: The great ‘Umar Khayyám. Leiden, Leiden University Press, 2012. pp. 105-114.
De Bruijn explains how, from the nineteenth century onwards, Persian quatrains became fashionable in Dutch poetry. After briefly referring to two great Dutch poets, P.C. Boutens (1870-1943) and J.H. Leopold (1865-1925), De Bruijn concentrates on their common source, an anthology of Persian quatrains in two parts published in 1906 under the titles Gulzár-i ma ‘rifat and La Roseraie du Savoir respectively. The author of these Persian and French anthologies was a Persian by the name of Husayn-i Ázád, who was a physician at the provincial Qajar court of Isfahan. He travelled to London and Paris, but later settled in Paris, where he concentrated on European and Persian poetry. In his chapter, De Bruijn gives a vivid picture of Husayn-i Ázád’s life and how he tried to introduce treasures from the Persian literary tradition to a western public.
Quatrains of ‘Umar Khayyám in Turkish, and Turkish quatrains
Quatrains of ‘Umar Khayyám in Turkish, and Turkish quatrains. S. Sötemann.
In: The great ‘Umar Khayyám. Leiden, Leiden University Press, 2012. pp. 97-104
Sötemann explains that while Ottoman poets were deeply influenced by Persian poetry, they avoided composing quatrains, preferring other literary forms. Yahya Kemal Beyatlı (1884-1958) was an exception, as he tried to master all the forms and genres of Ottoman poetry. In his efforts, Beyatlı translated Khayyám and introduced his poetry to Turkish people.
Edward FitzGerald”(1809-1883), British translator of The Rubaiyat of Omar Khayyam …
Edward FitzGerald”(1809-1883), British translator of The Rubaiyat of Omar Khayyam (by far the most famous translation ever made from Persian verse into English), as well as Jāmī’s Salāmān o Absāl and ʿAṭṭār’s Manṭeq al-ṭayr. D. Davis.
Encyclopaedia Iranica, Online Edition, December 15 1999.
The Rubaiyat of Omar Khayyam is by far the most famous translation ever made from Persian verse into English, and it had a considerable influence on the development of late Victorian and Edwardian British poetry as well as the awakening of a much wider interest, in English speaking countries and Europe, in Persian literature than had previously been the case
‘Umar Khayyám: philosopher-poet-scientist.
‘Umar Khayyám: philosopher-poet-scientist. S.H. Nasr.
In: Islamic Intellectual Tradition in Persia. Ed. by M. Aminrazavi. London, Routledge, 1996, p. 175-178.
Originally as preface in “Ruba’iyat of Omar Khayyam” , by A. Saidi, 1991
Umar Khayyam
Umar Khayyam
In: Dalal (Ed.) Ethics in Persian poetry (with special reference to Timurid period). Ghulam Abbas Dalal. New Delhi : Abhinav Publications, 1995. ISBN: 8170173140 . Pp. 71–95.
Discusses life of Khayyam and his works, and the views thereon. Was he a poet or not, a drunkard and heretic, and what was his character?
Theme of Wine-drinking and the Concept of the Beloved in Early Persian Poetry
Theme of Wine-drinking and the Concept of the Beloved in Early Persian Poetry. E. Yarshater.
Studia Islamica 13, (1960), p. 43-53.
Glorification of wine and drinking scenes is, in fact, one of the major themes of early Persian poetry. Descriptions are direct, vivid, and refreshingly varied. Generally, the poet speaks with knowledge and authority on the subject, and his delightfully appealing delineation reveals that sensuous quality so characteristic of Persian art. Many valuable details bearing on the drinking institution at courts, not recorded elsewhere, can be gathered from the poetry of the tenth and eleventh centuries.