The Rubaiyat of a Ranker

The Rubaiyat of a Ranker. By Quiz.
Glasgow : Clark, 1918. 38 p.
36 quatrains.
Mostly reprinted from The Outpost Magazine of the 17th Service Batt. Highland Light Infantry

Potter 1174

Measure for measure

Measure for measure
In: Green Bays, Verses and Parodies by Q. London : Methuen and Co., 1893. p. 25-27.
Author = A. Quiller Couch (Biegstraaten [3])

Potter 1108

Measure for measure

By O——r K——m

Wake ! for the closed Pavilion doors have kept
Their silence while the white-eyed Kaffir slept.
And wailed the Nightingale with ‘Jug, jug, jug !’
Whereat, for empty cup, the White Rose wept.

Enter with me where yonder door hangs out
Its Red Triangle to a world of drought,
Inviting to the Palace of the Djinn,
Where Death, Aladdin, waits as Chuckeroût.

Methought, last night, that one in suit of woe
Stood by the Tavern-door and whispered, ‘Lo,
The Pledge departed, what avails the Cup?
Then take the Pledge and let the Wine-cup go.’

But I: ‘For every thirsty soul that drains
This Anodyne of Thought its rim contains —
Free-will the can, Necessity the must,
Pour off the must, and, see, the can remains.

‘Then, pot or glass, why label it “With Care”?
Or why your Sheepskin with my Gourd compare?
Lo! here the Bar and I the only Judge: —
O, Dog that bit me, I exact an hair!’

We are the Sum of things, who jot our score
With Caesar’s clay behind the Tavern door:
And Alexander’s armies—where are they,
But gone to Pot—that Pot you push for more?

And this same Jug I empty, could it speak,
Might whisper that itself had been a Beak
And dealt me Fourteen Days’ without the Op.’—
Your Worship, see, my lip is on your cheek.

Yourself condemned to three score years and ten,
Say, did you judge the ways of other men?
Why, now, sir, you are hourly filled with wine,
And has the clay more licence now than then?

Life is a draught, good sir; its brevity
Gives you and me our measures, and thereby
Has docked your virtue to a tankard’s span,
And left of my criterion—a Cri’!

The rubaiyat of a modern bachelor

The rubaiyat of a modern bachelor. John F. Power. Artisted by Jim Russell.
Sydney, Australasian Pub. Co., 1943. 92 p.

72 quatrains

Biegstraaten 66

The Old Woman who lived in a Shoe

The Old Woman who lived in a Shoe.
In: The poets in the nursery. By Charles Powell with an introduction by John Drinkwater.
London ; New York : Lane, The Bodley Head, 1920. 80 p. Pp. 57-59.
7 quatrains.

Potter 1177

The Old Woman who lived in a Shoe

Omar Khayyám

Some for the Patter of Little Feet: and some
Sigh for their Flight to the Nothing whence they come.
Ah, take the Chance and let the Children go.
Risk any Fate but an eternal Drum.

Lo, that marineless Boat they call a Shoe,
That shelters Me and my Rebellious Crew,
I’d strip it of its leather, potent-tanned,
And potently I’d tan the Children, too.

The Boy no question makes of has his Nose
Been wiped or not, or where the wiper goes.
Ask Him that spheres aloft the Gilded Three:
He knows about it all — He knows —HE knows!

There was the Keyhole that refused the Key:
There was the Pail that set the Water free
And when I ask, Who bored, who bunged the Hole?
Each renders answer, “Oh, it wasn’t Me!”

And when Another of the precious Lot
Is set to make the Water boiling hot,
And round the Pot still Potters, and I say,
“You’ve let the Pot run dry,” —”Oh, go to Pot!”

I sometimes think that never tastes so dead
The Broth as when it’s eaten sans the Bread:
That every Palm-tree in the Desert bears
A Bough for smiting some young Dunderhead.

A Look of Curses underneath the Bough,
A Juggle, a Whine, no Loaf, but Bed—and thou-
-sand Jackals howling in the Wilderness,
Beside It, were as parodies “Miaou!”

The O.K. verses

The O.K. verses. Percival L.D. Perry
In: Olympia Exhibition, 1907. 30 p.
72 quatrains.
An Advt. for the Motor Car trade.

Potter 1129

Omar Khayyám

Omar Khayyám
In: Ball-Room Ballads. By K.L. Orde. Illustrated by S.L. Vere.
London : Goschen, 1914. x, 74 p. P. 6.

Potter 1163

Omar Khayyám

Arise! for Haxton in among the band
Has rapped his baton on the music-stand,
And lo ! the pianist and first violin
Have set a one-step ready to their hand.

Ah! my Beloved! hear the tune that clears
To-night of past regrets and future fears —
What, Jim’s dance? Why poor Jim’s dance it may be,
But have you noticed how the blighter steers!

Come, could not we with india-rubber conspire
To “cook” your programme making it a liar;
Or tear the bally thing to bits, and then
Fill up another with my name entire.

Ah, Partner mine, you know that you are fain
To dance with me again and yet again;
Come plunge into the crowd and Jim shall look
Thro’ this dense ball-room after us in vain