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‘Umar Khayyám’s Transgressive Ethics and their Socio-Political Implications in Contemporary Iran

‘Umar Khayyám’s Transgressive Ethics and their Socio-Political Implications in Contemporary Iran. A.A. Seyed-Gohrab
In: Sufi non-conformism : antinomian trends in the Persianate cultural traditions. A.A. Seyed-Gohrab (ed.) Amsterdam : Leiden University Press, 2024.  (Iranian Studies Series; 32) ISBN: 9789087284541. Pp. 155–177

Summary
In this paper, the author examines several social implications of Khayyam’s poetry and the reception history of the Persian sage (hakim) Omar Khayyam, who has become a personification of transgressive ideas in Persian literary history. The fascination of the author is due not only to Khayyam’s poetic genius (although he is not the author of the majority of quatrains attributed to him), but also to his problematic reception in twentieth-century Iran and how he has been connected to the notion of modernity. Both religious and secular intellectuals have tried to position Khayyam in the modern intellectual history of Iran in their own ways.

Review of The Rubáiyát of Omar Khayyam

Review of The Rubáiyát of Omar Khayyam: A New Translation from the Persian based on the edition of Mahmud Yerbudaki with a historical epilogue by Juan Cole (London / New York: I.B. Tauris, 2020). A.A. Seyed-Gohrab
In: Bibliotheca Orientalis, Vol. LXXX, No. 1-2, p. 187-189

‘Momentary glimpse’

‘Momentary glimpse’. Final report of the Conference “The Legacy of Omar Khayyam” (6-7 July 2009, Leiden University). Asghar Seyed-Gohrab

In: Persica 23 (2010), p. 123–126

The conference was intended to highlight not only Khayyam as a mathematician, philosopher and astronomer, but also the reception of Khayyam in various literary traditions. It was very successful, in terms of academic achievement and of networking and establishing new projects in the future.

 

Edward FitzGerald’s Translation of The Rubáiyát of Omar Khayyám: The Appeal of Terse Hedonism

Edward FitzGerald’s Translation of The Rubáiyát of Omar Khayyám: The Appeal of Terse Hedonism. Asghar Seyed-Gohrab
In: Seigneurie (Ed.) 2020 – A Companion to World Literature. Volume 4: 1771 to 1919. 6 volumes. Hoboken, Wiley. Pp. 1-12

Abstract

The year 1859 is a seminal moment for both Persian and English poetry. In that year, the English poet Edward Purcell FitzGerald (1809–1883) published an adaptation of the quatrains attributed to the Persian philosopher poet Omar Khayyam, under the title The Rubáiyát of Omar Khayyám, the Astronomer-Poet of Persia. It was to become one of the world’s best-known poems. Although several poets before FitzGerald had translated specimens of Persian literature into English, his translations transmitted the Persian sentiments into English poetry, and have remained popular in world literature ever since. At first the translation was not successful at all, as the history of the first edition indicates. The book contained 75 quatrains and was published anonymously in an edition of 250 copies, 40 of which were bought by FitzGerald himself. With this poor start, the remaining books were sent to Bernard Quaritch’s bookshop, where they were shelved and later placed in a box outside the door for sale. In 1861, Whitley Stokes and John Ormsby discovered the book. Stokes purchased copies of the Rubáiyát for his friend Dante Gabriel Rossetti, who introduced the book to the Pre-Raphaelite circle. Its enthusiastic reception among the Pre-Raphaelites led FitzGerald to publish a second edition of the Rubáiyát in 1868 to which he added 35 quatrains. The cult of Rubáiyát was born. The Rubáiyát ran to a third edition in 1872, a fourth in 1879, and a fifth, posthumous, edition in 1889 (Karlin 2009, l–lvi). FitzGerald’s quatrains have been the source for hundreds of translations in various languages. Some 310 editions have sold millions of copies around the world.

‘Momentary Glimpse’

‘Momentary Glimpse’. Final report of the Conference “The Legacy of Omar Khayyam” (6-7 July 2009, Leiden University). Asghar Seyed-Gohrab.
In: Persica, vol. 23 (2010), p. 123-126.

The conference was intended to highlight not only Khayyam as a mathematician, philosopher and astronomer, but also the reception of Khayyam in various literary traditions. It was very successful, in terms of academic achievement and of networking and establishing new projects in the future.

Khayyám’s universal appeal: man, wine, and the hereafter in the quatrains

Khayyám’s universal appeal: man, wine, and the hereafter in the quatrains. A.A. Seyed-Gohrab.
In: The great ‘Umar Khayyám. Leiden, Leiden University Press, 2012. pp. 11-38.

Introductory essay, in which the author discusses a number of aspects in respect to the study of Omar Khayyám and his rubáiyát: the contents of the quatrains; man, the world and the hereafter; doubt versus certainty; the knot of death; flora and fauna; the pot and the pot-maker; who is the beloved; people with discernment; in vino veritas; activities in the world.

Edward FitzGerald’s Translation of The Rubáiyát of Omar Khayyám

Edward FitzGerald’s Translation of The Rubáiyát of Omar Khayyám: The Appeal of Terse Hedonism. Asghar Seyed-Gohrab
In: Seigneurie (Ed.) 2020 – A Companion to World Literature, Volume 4: 1771 to 1919.

Summary

The year 1859 is a seminal moment for both Persian and English poetry. In that year, the English poet Edward Purcell FitzGerald (1809–1883) published an adaptation of the quatrains attributed to the Persian philosopher poet Omar Khayyam, under the title The Rubáiyát of Omar Khayyám, the Astronomer-Poet of Persia. It was to become one of the world’s best-known poems. Although several poets before FitzGerald had translated specimens of Persian literature into English, his translations transmitted the Persian sentiments into English poetry, and have remained popular in world literature ever since. At first the translation was not successful at all, as the history of the first edition indicates. The book contained 75 quatrains and was published anonymously in an edition of 250 copies, 40 of which were bought by FitzGerald himself. With this poor start, the remaining books were sent to Bernard Quaritch’s bookshop, where they were shelved and later placed in a box outside the door for sale. In 1861, Whitley Stokes and John Ormsby discovered the book. Stokes purchased copies of the Rubáiyát for his friend Dante Gabriel Rossetti, who introduced the book to the Pre-Raphaelite circle. Its enthusiastic reception among the Pre-Raphaelites led FitzGerald to publish a second edition of the Rubáiyát in 1868 to which he added 35 quatrains. The cult of Rubáiyát was born. The Rubáiyát ran to a third edition in 1872, a fourth in 1879, and a fifth, posthumous, edition in 1889 (Karlin 2009, l–lvi). FitzGerald’s quatrains have been the source for hundreds of translations in various languages. Some 310 editions have sold millions of copies around the world.