Omar Khayyam, Mathematicians, and Conversazioni with Artisans

Omar Khayyam, Mathematicians, and Conversazioni with Artisans. A. Özdura.
Journal of the Society of Architectural Historians 54 (1995) nr. 1, p. 54-71.

Summary

The main purpose of this article is to substantiate the proposition that mathematicians and architect-artisans had collaborated through special meetings, called conversazioni in the text, for the application of geometry to architecture in the Islamic world. A meeting reportedly attended by Omar Khayyam furnishes convincing evidence for this proposition. The study expands on the untitled treatise written by Omar Khayyam as a response to a question raised at this meeting. The treatise is about a problem that concerns an ornamental pattern, the story of which can be traced in two other works on geometry: Abu ‘l-Wafa’ al-Buzajani’s book, What the Artisan Requires of Geometric Constructions, and an anonymous Persian treatise on ornamental geometry, On Interlocking Similar or Corresponding Figures. While these three works are analyzed in the article, the wider implications of the collaboration between mathematicians and artisans concerning the field of architecture are discussed.

Echoes of the Gita in the Persian Poet Omar Khayyam

Echoes of the Gita in the Persian Poet Omar Khayyam. C.D. Verma. In: The Echoes of Gita in world literature. Sterling publishers, 1990. pp. 183-199.

Contribution to the International seminar, The Echoes of Gita in world literature; 1988; New Delhi.

‘A restrained but full-blooded eroticism’ …

‘A restrained but full-blooded eroticism’. Letters from John Buckland Wright to Christopher Sandford, 1937-1939. Edited by Roderick Cave.
In: Matrix (1988) 8 (Winter), pp. 56-79.

Discusses the illustrating history and process of the Golden Cockerel Rubaiyat by Buckland Wright, and shows the erotic character of the illustrations.

Omar Khayyâm

Omar Khayyâm. L.P. Elwell-Sutton.
In: Eshan Yarshater. Persian Literature. Albany : Bibliotheca Persica. [1988]. ISBN: 0887062636

Edward FitzGerald, a reader “Of Taste”, and ‘Umar Khayyám, 1809-1883

Edward FitzGerald, a reader “Of Taste”, and ‘Umar Khayyám, 1809-1883. R.W. Ferrier.
Iran 24 (1986), pp. 161-187.

Summary

Edward Fitzgerald, writing to his friend, E. B. Cowell, in March 1867 on the fickleness of posthumous reputation, remarked that a hundred years ought to elapse before memorials should be made. The centenary of his death passed on June 14th 1983 and it seems appropriate to commemorate his memory, recall his humanity and reflect on his contribution to literature. He had two principal passions in life, reading and friendship. He described himself to Frederick Tennyson in 1850 as one who pretends “to no Genius, but to Taste” and disclaimed any pretensions to be a poet, for “I cannot write poems”. As for his friends, their presence glows from his letters. These two influences, imperceptibly interweaving themselves into the fabric of his personality, were responsible for that bright short decade in the middle of his life, when his “languid energies”‘ were galvanised into literary activity of which his poetic “version” of the Rubáyyat of ‘Umar Khayyám was the fascinating and controversial climax.