A three volume catalog of the first artists of FitzGerald’s Rubáiyát, “The Golden Age of Rubáiyát Art, 1884-1913” is now available. The volumes are compiled by Danton H. O’Day, “to stimulate new interest in detailing the complete artistic history of the amazing collection of Fitz’s and Omar’s four-line verses. Another was to provide in one place detailed examples of each of the artists who contributed to The Golden Age of Rubáiyát Art.”
The 8 x 10” hard-cover books are printed on photo-quality paper with a full colour printed cover.
The lavishly illustrated books contain photos not available since their first publication, two new artists, charts and tables, and more.
The books are available from Blurb Bookstore.
Please contact: Danton H. O’Day for more information (email@example.com)
Shepherds bookbinders, in co-operation with Oak Knoll Press, recently published The Cinderella of the Arts. A short history of Sangorski & Sutcliff, a London bookbinding firm established in 1901.
It is a successor to Bob Shepherds book Lost on the Titanic (2001), and this new edition draws a wider perspective of the firm’s history, including the dramatic story of the second ‘Great Omar’. The history also highlights the Sutcliffe years and the years that Stanley Bray was in command. It is illustrated with colourfull images of some of the finest bindings, and with photographs of the people of the firm.
London and New Castle, DE: Shepherds and Oak Knoll Press, 2015. 200 pp.
Philip Bishop, bibliographer and rare book specialist, published a number of shorter essays on special bindings of the Rubáiyát that were published by Thomas B. Mosher. One of the bindings is by Hans Asper, the other by George Bayntun. The essays are available on Bishop’s Mosher Press website: http://thomasbirdmosher.net/index1.html.
The direct links to the essays are
http://thomasbirdmosher.net/files/hans-asper-binding.pdf, for the Asper binding, and
http://thomasbirdmosher.net/files/acquisitions-since-endpapers.pdf for the Bayntun binding essay.
Phil Bishop also published a large bibliographic volume on the Mosher Press editions, which includes of course the many rubáiyáts of Omar Khayyám.