Newsletter – restart

OmarianaheaderOmariana started in April 1998 as a newsletter, initially issued on paper, and later on as an e-mail newsbulletin. After a couple of years it seemed a logical step to turn it into a weblog, and this is what you are reading now.

However, my impression today is that Omariana might be more effective when you get the news at home in stead of going out to get it when you don’t even know if there is anything new.

So after a break of a couple of years I have decided to start this email newsletter again. It will appear once or twice a year, or whenever there is something important to inform you about, and it will exist in addition to the Omariana weblog. Please subscribe by using the subscription form.

Jaarboek 7

Jaarboek 7Jaarboek 7. 25 jaar Genootschap is now published, as always by Avalon Pers, Woubrugge. The book contains a number of shorter articles in which the members of the Club look back onto their membership. Jos Biegstraaten, president from 1990 till 2014, presents a short history of the Society. Hans de Bruijn ponders on the eternal and unanswered questions surrounding the origins of the rubáiyát. Jos Coumans explains how and why he started to collect the editions of the rubáiyát. For Marco Goud the exploration of life and work of the Dutch poet P.C. Boutens leads to confrontations with Khayyám’s influence on Boutens’ work he cannot evade. Rokus de Groot first encountered Khayyám’s poetry in the leather workshop of Stavros Melissinos in Athens, who presented him with a signed copy of his ‘Persian Rubáiyát’. Johan ter Haar is fascinated by the diversity of interpretations of Khayyám’s poetry that range from pure mysticism to sheer nihilism, and Remi Hauman looks at the rubáiyát as a collective, national oeuvre by various Persian ghostwriters, with international dimensions. For Dirk Meursing the Society was a useful and joyful resource while working on his own translation, and Asghar Seyed-Gohrab, now president, remembers how in his youth in Tehran he was fascinated by the secrets and mysteries that Khayyám’s verses seemed to conjure. Jos Biegstraaten finally describes how Khayyám influenced the work of the Dutch graphic artist Siep van den Berg.

The book is illuminated with a number of colour illustrations by various artists. It was printed in various states, in soft and hardbound copies, and was issued on the occasion of the 25th anniversary of the Dutch Omar Khayyám Society. Copies are available from Avalon Pers, Woubrugge, at € 45,00.

The members of the Club

At the celebration of the 25th anniversary of the Dutch Omar Khayyám Society, May 30, 2015 the club members were kindly requested to pose before the camera.

Groepsfoto 2 buiten 30 mei 2015From left to right: Jos Coumans, Hans de Bruijn, Marco Goud, Dirk Meursing, Jos Biegstraaten, Gabrielle van den Berg, Johan ter Haar, Jan Keijser, Asghar Seyed-Gohrab, Rokus de Groot, Remi Hauman.

A new issue of the Jaarboek / Year book was presented, which is proudly shown here by Asghar Seyed-Gohrab, president of the Society.

Jaarboek 7

 

 

The Omar Khayyám Society: 25 years

The ‘Nederlands Omar Khayyám Genootschap’, or Dutch Omar Khayyám Society, waWine glasss founded in 1990 by four enthusiasts to share their love and interest in Omar. Initiated by Jos Biegstraaten, the Society was set up to gather, discuss, share and distribute knowledge and relevant information on all sorts of Khayyám related facts, findings and opinions.

Soon after that the first Yearbook was published, in 1992, and others followed, with an irregular interval of about four years. The latest issue is a special on the occasion of the 25th anniversary, containing short essays in which the members reflect on their membership and their relation to Omar Khayyám.

Over the years members have been in contact with Omarians from all over the world. A special occasion for meetings and discussions was the congress held in July 2009 in Leiden and Cambridge, and musical festivities in Amsterdam, in which the Society played an active role. Another event that attracted attention was an exhibition in Museum Meermanno, in 2009, highlighting the most important editions of FitzGerald’s translation representing developments in book publishing, typography and illustration.

The 25th anniversary will be celebrated Saturday, May 30, in Leiden, with a small congress for members and guests and a dinner. The program lists a reading on Omar Khayyám and Kavafis, by Michiel Leezenberg, associate professor in the Department of Philosophy, University of Amsterdam.

 

Sufi masters of love

Sufi mastersThe Rosicrucian Foundation in The Netherlands will organize a symposium on the poetry and lyrics of Hafiz, Rumi and Khayyám. The meeting is part of a series to investigate the great oriental movements of wisdom and philosophy.

The delicate Persian lyrics still exert a specific attraction to us. Persian poetry, music and wisdom spread over the continents from China to the West when our ancestors still went at each other with prongs and forks.

Some of the subjects that will be discussed are stories and music about  Layla and Majnun, about Rumi, Shamsuddin of Tabriz, Mirabai, but also Krishna and Jesus. There will also be a small exhibition on Khayyám’s Rubáiyát, showing a number of mystical and sufi interpretations of his verses.

For more information (in Dutch) see: Soefi-meesters van de Liefde: Rumi en Hafez. Perzische bevrijdingslyriek voor het hart

The event will take place on June 13, 2016 in Bilthoven, The Netherlands.

A Millennium of Persian Literature

OmarKhayyamThe Library of Congress opened an exhibition on March 29, titled “A Thousand Years of the Persian Book”. Purpose of the exibition is to take visitors on a visual journey of the rich literary history of Persian language, and to explore works of religion, science, modern literature, children’s books, women’s literature and the highly illustrated masterpieces of classical poetry for which Persian literature is most famous.

“The Moving Finger writes: and, having writ, Moves on: nor all thy Piety nor Wit Shall lure it back to cancel half a Line, Nor all thy Tears wash out a Word of it,” Khayyám wrote in “Rubaiyat,” a work that centuries later still would inspire artists from Eugene O’Neill to Agatha Christie, from Woody Guthrie to Van Morrison.

Read more in the Library of Congress Blog: http://blogs.loc.gov/loc/2014/03/a-millennium-of-persian-literature/?loclr=fbloc

Khayyam exhibition in Tehran

Only a few days are left to hurry down to Tehran for an exhibition of calligraphy works of Khayyám’s poems  in the University of Tehran.  The collection which includes Khayyam Latin calligraphy was created by the Iranian calligrapher Mojtaba Karami who has vast experiences in the art. Some 30 works of the artist have been displayed at the exhibition, depicting some selected poems of Khayyam’s famous quatrains in ten different languages.

The exhibition started Sunday, February 16, and will run until February 19, at the Faculty of Foreign Languages and Literatures, University of Tehran.

From: Press TV, February 17, 2014

A tribute to Omar

The tribute was organised by the Pakistan-Norway Association (PANA) on February 1, this year, with a buffet, a fruit drink and a lecture by a Central Asian expert on Khayyam and poet Prof. Aftab Kazi.

KhayyamQuatrains from Khayyam’s poetry were performed by Opera singer Lynly Butt and the film on the life and times of Khayyam “The Keeper — The Legend of Khayyam” was screened. However, in Professor Kazi´s view “the directors and producers commercialise and distort the history.”

Read more about the event in The Express Tribune of February 3, 2014.