“In the Fire of Spring”

March 23 a conference will be held entitled ”In the Fire of Spring: Omar Khayyam on Love, Hersey, and Resurrection“.

The conference is devoted to Khayyām’s philosophy, his ideas on heresy and resurrection, while also paying ample attention to his textual history and his modern appreciation.

The conference will be organized by Utrecht University, more specific by The ERC Advanced Project Beyond Sharia: The Role of Sufism in Shaping Islam.
The event will be held in Utrecht, Drift 21, Sweelinckzaal (room 0.05). Postal code: 3512 BR

Click here to see the programme of the conference.

Sufi masters of love

Sufi mastersThe Rosicrucian Foundation in The Netherlands will organize a symposium on the poetry and lyrics of Hafiz, Rumi and Khayyám. The meeting is part of a series to investigate the great oriental movements of wisdom and philosophy.

The delicate Persian lyrics still exert a specific attraction to us. Persian poetry, music and wisdom spread over the continents from China to the West when our ancestors still went at each other with prongs and forks.

Some of the subjects that will be discussed are stories and music about  Layla and Majnun, about Rumi, Shamsuddin of Tabriz, Mirabai, but also Krishna and Jesus. There will also be a small exhibition on Khayyám’s Rubáiyát, showing a number of mystical and sufi interpretations of his verses.

For more information (in Dutch) see: Soefi-meesters van de Liefde: Rumi en Hafez. Perzische bevrijdingslyriek voor het hart

The event will take place on June 13, 2016 in Bilthoven, The Netherlands.

Two recent volumes reviewed

Dulac illustrationIn the recent issue of ‘Iranian Studies’, Erik Nakjavani, (Professor Emeritus of Humanities, University of Pittsburgh, USA) reviews and discusses two recent volumes on the Rubáiyát of Omar Khayyám. The first is Edward FitzGerald’s Rubáiyát of Omar Khayyám: A Famous Poem and its Influence, by William H. Martin and Sandra Mason (Anthem Press, 2011).
The reviewer discusses this work in respect of contemporary views about reception and assessment of poetry, by enthusiasts and devotees as well as scholars and academics. Some quatrains are quoted to illustrate ontological and metaphysical dimensions in the Rubáiyát, which turns this part of the review into a more or less philosophical essay.
Next Nakjavani reviews a second volume: Edward FitzGerald’s Rubáiyát of Omar Khayyám: Popularity and Neglect, edited by Adrian Poole, Christine van Ruymbeke, William H. Martin, and Sandra Mason (Anthem Press, 2011), in which he summarizes and discusses the separate essays. This volume contains the essays that were presented at a conference, held at the University of Cambridge, July 2009.
The reviewer judges the two volumes as “dual complementary works of scholarship, reflection, and academic research, in the strongest sense of the adjectives. Scholars, academics, literary critics, translators, and those who love poetry and share Khayyám’s and FitzGerald’s twofold concerns with the human lived experience of being and nonbeing will find these twin texts of much interest.”

Erick Nakjavani (2014) FitzGerald’s Rubáiyát of Omar Khayyám: Critical
Celebrations of a Beloved Poem, Iranian Studies, 47:4, 627-648, DOI: 10.1080/00210862.2014.906184

The Great ‘Umar Khayyám

GreatUmarThe book The Great ’Umar Khayyam, which consists of 18 essays about Khayyam’s influence, shows that traces of Khayyam can be found throughout Western literature and culture. Dutch poets such as Leopold and Boutens were inspired by him, for instance, but the quatrains also made their mark in 20th century painting and music.

The volume is the result of a two days conference held in Leiden, July 2009, as part of a number of events that took place to celebrate the 150th anniversary of Edward FitzGerald’s first version of The Rubáiyát of Omar Khayyám and the transaltor’s 200th birthday.

Published in 2012, there is a digital edition available now. Click here.